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Late S.R. Bhushan | Mother and Child A muted, warm-toned canvas where interlocking forms suggest the closeness of two figures without representing them literally. The soft layering of ochre, teal, and dusty red gives the work an intimate, tender quality. It is among the more restrained and contemplative works in Bhushan's body of work.

Anjana Kuthiala | Two Women Two women, their faces close and almost mirrored, emerge from beneath a dark arch in warm ochre tones. Draped in contrasting textured shawls, one patterned and one in deep black, they hold a quiet, intimate gaze. The work reflects Kuthiala's sustained interest in feminine identity and companionship.

Tauseef Khan | Mubarak Mahal Reflection A hyperrealist oil painting depicting the ornate Mubarak Mahal in Jaipur's City Palace, seen through and reflected in a cluster of empty wine glasses arranged in the foreground. The curved glass surfaces distort and multiply the architecture, creating a layered interplay between the historic and the contemporary.

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Late S.R. Bhushan | Four Women A large canvas in deep reds, blues, and orange, where loosely suggested forms float and overlap in a charged field of colour. Circular and rectangular shapes recur through the composition, hinting at figures without fully resolving them. The work carries the emotional weight and expressive freedom that defined Bhushan's mature style.

Mohan Singh | Girl Smelling Flower A stylised figure in blue-green tones holds a white lotus to her face against a luminous golden background. The face is serene, eyes nearly closed, rendered in a manner reminiscent of classical Indian sculptural forms. The textured background adds depth and visual rhythm to the composition.

Shahid Parvez | Green Angels A seated male figure in teal and green tones holds a small bird in one hand, with a winged angel figure hovering behind him to the right. Small narrative vignettes fill the grey background. The painting has a folk-art quality in its flat, symbolic figures, but the layered surface and colour give it considerable depth.

Sangeeta Gupta | Abstract A textured abstract in black, grey, and white, with broad horizontal brushwork layered over a rough, worked surface. The marks feel both spontaneous and deliberate, like sediment or worn stone. The silver frame amplifies the work's cool, meditative tone.